在一年的种族和社会不平等进入痛苦的救济时，Destinee Ross-Sutton在崭露头角的艺术家伪造空间，为黑人艺术家茁壮成长。When the art adviser, curator, and artist advocate was asked by Christie’s in June 2020 to cocurate a virtual exhibition of 22 artists of African descent called Say It Loud, in which 100% of the proceeds would go directly to the artists and their representatives, she was apprehensive. Proceeds are one thing. But what about the secondary market, where the original buyer sells the work at auction for a profit? Shouldn’t the artists get a portion of that, too? This entrenched system, she says, is “another form of exploitation of Black labor—really, labor of anyone.”
Ross-Sutton与拍卖行谈判谈判，指出潜在买家必须保留购买工作三到五年;如果之后售出，15％的转售收益将直接进入艺术家。此外，艺术家或他们的代表将有权拒绝，这意味着他们可以拒绝卖给愿意买方。她说，协议的作用是“制作[买家]意识到艺术界内的功能，”这应该是支持艺术家。最终，它有效：集体销售超过300,000美元，并将这一月份在本月早些时候开放了大声展示，这次是物理展览和拍卖。Ross-Sutton现在知道至少有10个国际画廊已经开始雇用相同的工作保留协议，包括她自己;12月，Ross-Sutton画廊在纽约打开了一个弹出窗口，自4月份以来，它在Soho社区拥有永久空间。到目前为止已出售120多项工程。
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